PAOLO ROLDAN

With razor-sharp cheekbones and a smolder that could melt just about anything, it’s easy to see why supermodel Paolo Roldan is a favourite in the fashion world.

The Philippines-born, Toronto-bred model, fashion buyer, and budding stylist has appeared in the pages of GQ, Numéro China and i-D while walking the runways for the likes of Michael Bastian, 3.1 Phillip Lim (he counts designer Phillip Lim as a friend) and Givenchy, where he is often a regular. In fact, Roldan made his runway debut for the French fashion house in 2009 after a last minute casting call with creative director Riccardo Tisci. Roldan is now widely regarded as Tisci’s muse.

Betting that his good taste in fashion and company transcends into music, The Rhapsody e-mailed the supermodel to ask him a couple of questions about his musical journey. Roldan did not disappoint.

TR: Hey Paolo, can you tell us a bit about yourself?

PR: I was born in Quezon City, Pilippines. My family moved to Canada when I was 11 years old. I’m currently residing in Toronto, Canada and anywhere else my job takes me. I work as a full-time model and trying my hand at styling.

TR: How did you first encounter music?

PR: My parents have always been into music. My dad was in a band in his younger days and my mother was a self-proclaimed professional dancer. Both had a ton of Beatles always on rotation. They took us to watch musicals and a lot of parties. Music is an essential part of Filipino culture. I’d say 2 out of 3 people can belt out a tune at any given moment and almost everyone can cut a mean rug.

TR: Who gave you your first album? 

PR: My parents got me my first album on cassette tape. It was Bad by The legendary Michael Jackson.

TR: How does music tie in to your career, friendships, etc, and vice versa?

PR: Music gives me inspiration in every aspect of my life. It drives me to work harder, keep me chill, dance and let loose with my friends, reminisce about the past and look forward to the future. It also helps unite people…music is usually a starting point in starting a friendship/relationship with someone. It helps people to gauge another person’s spirit and personality. It’s like food…for the soul.

for the full article head to the Rhapsody.

Words: Portia Baladad / Photos: Olivia Seally

KILLA KELS

Kelsey Williams, a.k.a Killa Kels, might be the new kid on the block but don’t let that fool you. The Toronto-based DJ’s determination has driven her to learn everything she possibly can about music and the industry. She’s been working with Toronto mainstays DJ Agile and DJ Grouch to hone her craft and will soon be sharpening her business skills at the Recording Arts Academy’s Business Academy.

It looks like her efforts have been paying off; a little over a year since she began spinning professionally, Williams has been working steadily and making her way to becoming one of Toronto’s top DJs.

The Rhapsody checked in with the up-and-comer and got the scoop on her musical journey.

TR: Hey Kels, can you tell us a bit about yourself? 

KK: My name is Kelsey, I am a female DJ from west-end Toronto. My DJ name is Killa Kels. I’ve been DJing professionally for a little over a year now. Aside from DJing, I work two jobs in retail, and keep busy with my 5 year old son. I love being around my friends, good music, and good food!

TR: How did you first encounter music?

KK: I don’t exactly remember when my first encounter with music was, however I do have a baby book that my parents have filled out and kept over the years, and it says I really enjoyed music that was current to that time. It says I loved dancing to Michael Jackson, Janet Jackson, and New Kids On The Block.

TR: Who gave you your first album? 

KK: Far before I received my own album, I remember sneaking into my older brother’s room and stealing his CDs and having to remember to put it back in the exact same order I had found them. I would listen to the likes of Foxxy Brown, TLC, SWV, Method Man, Wu-Tang Clan, and more. As their music played, I would flip through the little booklet that came with CDs back then. I’d read about what inspired their albums and followed along singing the lyrics to each song. My first album of my own, however, was Mariah Carey’s #1s in cassette format when I was about 8. I don’t even remember who bought it for me, but that person definitely impacted my life greatly with that little cassette tape. I would listen to both sides on repeat every morning as I got ready for school, and every afternoon once I got home. To this day, every Mariah Carey ad lib and high-pitched run is ingrained in my memory to perfection.

for the full article head to the Rhapsody.

Words: Portia Baladad / Photos: Olivia Seally

JESSE BOYKINS III

My name is Jesse Boykins III, I’m 29 years old and I was born in Chicago, Illinois and my childhood was spent in Jamaica, then Miami and New York. Now I’m here, in Los Angeles. I went to New School University for Jazz and I taught myself how to produce there as well. Five years ago I was in Bed Stuy, in a duplex brownstone, working on the album with Steve Wyreman and doing all the visual stuff with Dr Woo. When I was 21 I was working on an album called ‘My Notebook and I’.

All I did was make songs about this girl who broke up with me on Christmas.

I really was trying to write mean songs and I couldn’t; they all came out happy or apologetic. But that was my first release and people really responded. I was doing some shows in Brooklyn with it but I just didn’t want to perform those songs because I didn’t want to think about that heartbreak all the time. So I started a new album so people can forget about the first one (laughs). And that’s why I moved from Jersey back to Brooklyn. At the time, Machine Drum lived like four blocks from me, Theophilus lived like three blocks from me and Melo was always over at the house. It was a good crew and we would always make music together. So when I was in Jersey I really missed that community and had to get back to it.

I believe firmly in collaboration. I feel like that’s what the art of music is; being able to have a band and have different energies combining to make this one entity. I don’t have a problem producing my own stuff; I just never want my voice to be the only thing that’s expressed. I have a lot to say for sure but not only do I learn in the experience of collaborating with someone, but we definitely bring things out of each other. So although I have been collaborating with some people since 2007, I still love to bring in new talent. There are two songs off my new album, “Love Apparatus”, that are from producers who are just starting to have artists on the music they’re making. So it’s a beautiful thing, it’s empowering that I believed in them enough to make this song and to shoot the video for it, I like that feeling. If someone saw the potential in me and put me on even if I wasn’t necessarily ready yet, that’s an opportunity!

I did all right early on; I was an independent artist, shooting all my own things but would have videos on TV and was getting awards for things I didn’t even know I was nominated for.

The main thing I wish I knew earlier on in my career is the art of collaboration with brands,

like I did last year. It started by just taking a lot of pictures and conceptualizing ideas and then they’d meet me and I’d have more to talk about besides the music. Sometimes I would pitch ideas and sometimes get requests; brands ask me if I have anything on the table or any thoughts. For example, I’m doing a shoe collaboration with this Australian company who simply wanted to give me shoes because they were fans of my music. I’m like that’s cool and thank you! But I also have this book full of little shoe design sketches, can we try one of them?! So we actually started working on a shoe and he was really surprised because I had all the images, references, the year and the type of cloth etc. I really do the research, I’m always trying to show people mood boards (laughs) and people are pleasantly surprised that they can relate to you not only through the music but with something they’re just as passionate about too.

FF- Do you consider yourself a freshman, sophomore or senior in your field?

JB- I would probably say a sophomore. Because I’ve accomplished a lot in my career and definitely on an independent level it’s been interesting the opportunities that come about and the respect I have from people in the industry and from fans. But I’ve never had access to my full potential. To sit in a studio and actually make a record and be able to say I want so and so on this song, or I want this live choir… you know, I haven’t yet been able to experiment whole heartedly with what I envision in my mind, as far as the music that I can really produce.

I definitely have a long way to go as far as people being able to hear what i hear in my head; my full potential.

I don’t want someone to just give me files and that’s it, I want the process to be organic from beginning to end and to have no limitations as far as what we can bring in. That’s pretty much all I need for the next project.

FF- In order to have that kind of access you kind of have to loose control. So what’s been the battle for you between being independent and everything that comes with being signed?

JB- Well I’m more of an artist that you would consider a risk when you think of business, because my business model isn’t scaled off anything that’s out. Just like ‘Love Apparatus’ sounds nothing like ‘the Beauty Created’. Some people that love ‘Beauty Created’ feel I should’ve just made another ‘Beauty Created’. But that’s not the kind of artist that I am. I’d like to definitely evolve. So when you get into labels and they’re like ok this sound is what’s hot right now, these are the people putting it out, so let’s get you on tracks and you’re gonna sell! But that’s not a guarantee and I’m the one that has to live with it, it’s my name that’s attached to it. So I always find myself having to dumb what I do down a little bit. But I’ve learned how to do it in a way that I want, so that’s fine. I think of myself as an intellectual, I like to express how I feel exactly how I feel it but I love having to find that balance too. And that’s the strangest thing about music; that relationship between what people expect of you and then what you give them. The fans expecting another ‘Beauty Created’ may have been partial to ‘Love Apparatus’ because it’s different and they haven’t been evolving with me.

So I put myself in this position where I have to be a lot more patient. I had to push ‘Love Apparatus’ for two years before it got to where it is. But I don’t really have an issue with it because at the end of the day, it’s me! I’m pushing what I like.

FF- So I want to hear about the female project you’re doing and how random projects like this are related to your music. How and why did you decide to, instead of putting in the music, give women a direct voice with that project?

JB- I always go back to my childhood and think about how certain situations were handled. I felt like most men didn’t necessarily take the time out to understand women. So I thought that was how you’re supposed to be as a man. And then growing older and having to deal with my ego within relationships, I realized that’s not how you should be as a man (laughs). Often when a man and woman have a conversation it feels like a show because of the concept of attraction. So with the women’s project I interviewed women ages 17-65 and asked questions that I felt they were probably never asked before. The questions were: ‘What do you love about being a woman?’ ‘Long term lust or short term love?’ ‘Tell me the first time you experienced love and the feelings that come with it?’ ‘Beauty or danger?’ ‘Climax or balance?’ ‘Chaos or structure?’ ‘All the things you hate about a man?’ ‘All the things you love about a man?’ ‘What’s on your list of a paper perfect man?’ ‘When I say Love Apparatus what’s the first thing that comes to your mind?’ And ‘do you like smiling?’

FF- Choose one of your questions that you ask on the woman project to answer yourself.

JB- Short term love or long term lust? Long term lust all the way!

Short-term love isn’t real, it’s your perception of what you desired from someone else but it’s not necessarily a development of something, it’s a fantasy,

like… you’re my boyfriend now so I love you! This is how I love you, I do this, this and this for you. Instead of being like cool we’re friends, we like hanging out, oh you did something thoughtful for me! Cool! Oh I’m thinking about you… that’s cool too! I love that natural evolution of what love is. Definitely long term lust, because that is love; it’s one of the stages of it. It doesn’t have to be a sexual thing; you can lust after someone’s walk or how someone holds you and get that same fiery feeling from those simple things.

I started doing the interviews half way through making ‘Love Apparatus’ and then came back to it and finished four more songs, so you can actually hear some of things I’ve learned in the process.

That album is now actually the process of what a relationship is, even down to the track listing...

The first song (Greyscale) is about acknowledgement and saying that you’re open to things, the second song (B4 the Night is Thru) is about bravery, seeing someone that you’re interested in talking to and the third song (Created Beauty) is about fantasy, the fourth song (I Wish) is about actually becoming that person’s friend. The fifth song (Tell Me) is like ok now we’re friends but we’re lovers as well so it’s harder to communicate, and then the song after that is Show Me Who You Are; which is like let’s see how far we can take this passion. The song after that is Living Me, like ok now we’ve evolved in all these ways let’s find a way to coexist etc. I even used some of the audio from the documentary in the album because I really have learned from it. I can sit up here and say I read a thousand books, but no I have a lot of conversations and I catch references and am inspired and I enjoy the concept of sharing; I feel that’s more of a feminine thing, because it comes with nurturing; development and growth.

FF- What do you think are the qualities of a life well lived?

JB- An honest life is a well-lived life. And I don’t feel like a lot of people are honest with each other, or even with themselves. Challenge; it’s good to challenge yourself, especially in a time where everything is so convenient. And creative freedom! Because it’s therapy, happiness, bravery, courage and it could be in anything… creative freedom is like going for a walk and taking pictures of leaves if you want, if it makes you feel good that’s what it is. I want to earn those privileges.

you can check out Jesse's music here, and follow him on instagram.
as told to: Olivia Seally // photos: Olivia Seally

HANNAH SIDER

My name’s Hannah Sider, I was born in Malawi, Africa. I’m 25 years old and I'm a photographer. Five years ago I was living in Toronto. I was pretty comfortable… I was finishing my last year of school for fashion communications. I didn’t have to think too much about the future and I was interested in photography but I wasn’t sure if I could turn that into a career. Prior to university I didn’t really know what I wanted to do but I was interested in fashion, so the communications program appealed to me because I could study so many different aspects of art, like illustration and design and photography and journalism. And now everyone is just a jack-of-all-trades, especially in New York.

Photography began as a hobby, I had a camera with me all the time and then I started to take more of a fashion focus when I studied fashion. But both of them are related…

fashion is very visual and I think that having that creative eye, is more important

than learning the technical skills of photography because you can always pick those up. But understanding fashion and design, the principles of design, I think that’s really helpful when I’m taking a photograph. So I don’t have an education within photography, I taught myself.

I picked up a lot by trial and error…

every once in a while I’ll be like shit! I’ve been doing this wrong for the last couple of years. And you learn from other people as well.

I definitely feel like a freshman in my field, in the sense that I still have so much to learn and so much more growth. But it’s cool because I left Toronto and now I’m kind of seen as an established photographer because I’m working in New York. So by Toronto’s industry standards, they would probably not say I’m a freshman. But my aesthetic has changed so much in the last two years that I’ve moved to New York, I wouldn’t have experienced those same challenges. Here, you do something that’s out there and everyone’s like cool, but can you push it further than that? because it’s nothing that I haven’t seen before! So that really challenges me to go beyond what is normal and safe. And you don’t stay stagnant at all here.

I’ve been experimenting with film and other things a lot in the last year and instead of staying with what I know and developing that, I’ve really tried to just do everything different.

I never want to stop experimenting.

A lot of photographers have this thing against event photography. They have this… just, disdain for it and I feel like I kind of did and then I was like you know what, I go to all these really cool fashion parties, I see all these really fucking awesome people that have crazy style and I’m just gonna start carrying my camera around everywhere and start shooting them!

 

And I think that having that attitude of not being too good to do certain jobs… like I’ve done a lot of favors, shot stuff that a lot of photographers felt above and wouldn’t do, unpaid. But those favors have really paid off. If it’s somebody in the industry whose work I really respect and we work well together, I trust that if there’s an opportunity they’ll come back to me. I think that just not being stuck up about things has really gotten me a long way. Plus, I’m having a lot of fun shooting at parties and odd places, and it’s really just taken my style on a different direction.

Right now I’m just inspired by really interesting people.

I keep thinking about those interesting people that aren’t necessarily "somebody". I saw a guy the other night who had tattoos all over his face and lighters through his ears. And I’m just like you are such a character and I have to take a photograph of you. And I did. Obviously there’s tons of famous people that I would love to shoot and having those people in your portfolio elevates your level as a photographer. But they aren’t necessarily as interesting to me as that guy with the lighters in his ears.

And honestly, networking has been so much of a benefit to me; just being able to go to different events and talk to different people. I don’t think that you have to network, there’s a lot of artists that are very introverted who do great things. But especially in a place like New York, I go out and talk to people and we’re genuinely excited about what everyone is doing and there’s this kind of energy. You don’t have to see it as networking, where you have to approach this person and give them a business card.

I don’t think it needs to be something really formal.

It should be inspiring and creative!


FF- Who’s one person’s brain I should pick?
HS- One of my friends who is insanely talented, an amazing photographer and does these pod casts and he’s also just crazy and hilarious, I really enjoy talking to him… is Michael Donavan. I would love to know how his brain works.

Also Michael Jordan! He’s an inspiration. I want to know if he’s thought about our future together at all and if he’s still gambling (laughs).

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you can check out Hannah's photographs on her website, her tumblr and her instagram.
as told to: Olivia Seally // photos: Olivia Seally